40 WOOSTER STREET, NEW YORK, NY
March 31 - June 30, 2016
The big apple is a place where art meets culture, and no better places can this be truer than downtown Soho, the East Village, and of course, the Chelsea area. Back in March, we visited FitzGerald Fine Arts (a Soho gallery which showcases contemporary Chinese porcelain and ink painting), and had the opportunity to meet Taiwanese artist Hui Chi Lee. This was Ms. Lee’s first show in New York, where she presented a new body of hand drawn graphite pen and colored pencil works on paper, as well as a soaring site specific sculptural installation, entitled “Lian, Lian.’ The exhibit was filled with energy, and a modern spirit, which reflected her abstract paintings that can somehow be compared to “Calligraphy in Motion”. In part, her latest series is a true reflection on Taiwanese cultural traditions that can seem oppressive in contemporary society.
Taiwanese artist Hui Chi Lee presents a peculiar image of the human figure. She crowds her drawings with masses of bodies lumped together and entangled in threads and strands of human hair. Full of energy, her images explore themes relating to materialism, human behaviors, and relationships in today’s society, made all the more dynamic when implemented in a larger than life scale. Working mainly in pen, graphite and colored pencil on paper, her choice to use non-traditional painting materials ties with her goal as an artist: simply to create imagery that will inspire a curiosity about the implications of her work.
Drawings by Hiu Chi Lee which explore tensions and dynamics between how people are connected and how these connections themselves may also serve to enchain. In part, this series is a reflection on Taiwanese cultural traditions that can seem oppressive in contemporary society.
